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- By Joseph Lang
- 12 Apr 2026
The is a New York drama with such a relaxed pace that it required a decade to arrive on the UK’s cinema screens. Initially unveiled in the US in 2015, it’s an ultra-low-budget debut from first-time director Charles Poekel, taking place largely on a 24-hour pop-up Christmas tree stall. Poekel’s style is far too authentic-indie and naturalistic to become slushy or sentimental about Christmas; through his lens Christmas tree lights blink like police lights. But with its subtle approach, he positions the movie just right for a modest dose of festive warmth.
Kentucker Audley portrays Noel (someone had in the film to joke about his name for the connection to be made). Noel returns for his fifth year selling Christmas trees in Brooklyn, working outdoors in the freezing cold and sleeping in a barely warmer caravan stationed beside the trees. Several patrons ask about the girl working with him last year. But this year Noel is alone, heartbroken and working the night shift.
There’s a documentary feel to many of the scenes, with customers asking idle and peculiar questions. One woman requests the same Christmas tree as the Obamas (the story is set in 2014). Noel looks numb with cold physically and emotionally; he’s exhausted and disenchanted, though Audley’s understated acting clearly indicates that he wasn’t always like this.
In truth, the plot is minimal. Noel comes to the aid of a woman, Lydia (Hannah Gross), who has passed out drunk on a bench. She pops up again later in truly poignant scenes as Noel drives around New York, delivering trees – and these moments could spark a small glimmer of good cheer even in the most cynical viewer. Poekel hasn’t made a feature since this, which is a shame – it is unmatched for authenticity and fluidity, and it’s filmed on beautifully grainy 16mm film.
A film of quiet charm and authentic atmosphere, portraying the solitude and fleeting warmth of the holidays.
Christmas, Again arrives in UK cinemas from 12 December.