Brutish, Intimidating, Expansionist: the Resurgence of the Unpleasant U.S. Image
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- By Joseph Lang
- 17 Jul 2026
Much has been written about the act of running, a restorative movement with capacity for emotional liberation. In the realm of elite athletics, however, the stress of competition can make people lose sight of this ultimate goal. Reimagined from the eponymous manga, Kenji Iwaisawa’s mesmerising anime looks beyond trophies and medals to investigate the existential drive that drives an competitor’s aspiration.
100 Meters traces Togashi and Komiya, childhood friends whose career trajectories diverge when they turn professional. Previously the quickest elementary student in Japan, Togashi assists the less confident Komiya with the basics. As the twosome enter their adolescence and adulthood, Komiya steadily accelerates up the leaderboard of top athletes, while Togashi is mired in a rut; both confront worries and uncertainties. Covering more than 15 years, the narrative follows their psychological barriers, revealing the struggles of an competitor’s existence, trapped in a pattern of societal observation, result pressures and endorsement requirements.
Perhaps it’s down to the source material, but the movie’s approach to these complicated problems is a bit simplistic; repeatedly, a character’s inner doubts quickly dissolve after a lengthy conversation with a peer or a senior. But what 100 Meters lacks in plot refinement and rhythm, it makes up for in breathtaking graphics. Employing trace-over animation, in which animation is superimposed on filmed sequences, the movie produces stunningly detailed sprinting scenes. The bodily strain of a race is clearly shown, and the pain and the joy of rivalry are etched on the protagonists’ forms.
One notably pivotal race finishes in the rain, with torrents of monochrome brushwork that overwhelm the frame. Apart from conversation, these displays of creative mastery capture the quasi-enlightened elation the animation aims to inspire.
100 Meters is released in Britain from 16 November.